Wednesday 29 April 2015

The Animated Self Development 4

The Process of developing this Animated Self animation is going very slowly, very, very slowly. At the present time I am currently working on key-frames for the animation with the intention that once their finished I can fill in the in-betweens. Unfortunately, once again, I feel I have bitten off more than I can chew. I wanted the animation to look professional as it is going to be the thing we put on exhibition at the end of year show, plus I am passionate about the idea. But I am already falling very far behind because I am finding that I am spending too much time drawing key-frames and making sure they look right when I should be actually animating.


I was inspired to put a great deal of dedication into creating my key-frames because of watching other animations and wanting to set myself the challenge of creating something you might see in a professional animation. For example in the Anime series The Melancholy of Haruhi Suzumiya, the visual style is stunning. Every shot in the show looks like a massive amount of time and dedication has been put into it and everything in a shot works. For example in the above shot, all the desks in the classroom look of perfect dimensions and sizes in comparison to what they would look like in real-life. It makes me wonder if shots like the above had been rotoscoped because of how to scale everything looks. So basically I wanted to draw a few shots that looked as professional.

But I hadn't realised just how long it would take.



The Above keyframe took hours to draw, simply because I wanted to get perspectives and dimensions accurate. Although I a happy with the finished keyframe, I cannot afford to spend that long on a frame of animation considering I still have a few hundred to draw.



Friday 24 April 2015

The SpongeBob Movie: Sponge Out of Water


I don't know where to even begin. We decided to watch the second SpongeBob movie because it had gotten positive reviews and I had very much enjoyed the first. (To this day I believe it to be the best TV show to movie adaptation apart from The Disappearance of Haruhi Suzumiya but that can be debated). Anyway I was still skeptical as I feel like with the Simpsons,  the show had been steeply declining in quality for at least the last ten years. But alas I still call myself a fan and always hope it can still entertain.  I was not disappointed. 

The film is one of the most bizarre things I've ever seen and to begin to describe the plot would take too long and would be kind of unnecessary.


The plot made absolutely no sense whatsoever and if I could hardly follow it I can only have sympathy for very young viewers. But it is very, very funny and the incredible animation does that thing that I feel made so many people fall in love with SpongeBob so many years ago, the animation makes the gags funnier. SpongeBob SquarePants is an example of a visual gag masterpiece and is a defining example of why in cartoons the visuals create half the comedy. 
I also heard that the creator of The Ren and Stimpy Show had a creative foot in this film and through watching the whole thing it's not hard to see his insane, borderline disturbing style in so many of the scenes. It's also very dark at times which for a film adaptation of a 'supposedly' kids show you might think is strange, but another thing SpongeBob is able to do so successfully is take quite grown up elements and make them entertaining to all ages, for example there is a post apocalyptic theme that runs throughout the movie that's very much spoofing Mad Max, a typically adult classic film.

The visuals cannot be understated,  throughout this film the animation is stunning and makes any animator want to go work for Nicktoon movies as throughout it's constantly changing.  What I admire is that it yes there is some CGI animation in there towards the end, but for the most part it's animated in a traditional 2D style that is consistent with the first movie and the TV series. I could be wrong about this but I also thought I saw some stop motion animation in there to. 

Either way it's bonkers but a treat.

The Animated Self Animation Development 2

Below is my Animated Self Animation Storyboard that I feel better conveys what I'm trying to get out of this animation than simply trying to describe the dream...





Overall I am largely happy with my story board. It was drawn on a train so the drawings are fairly scrappy, but through looking at the visual imagery, I understand it as a basic plan and so do the actors I was going to use to act out the sequence, but I'll get to that soon.

The Animated Self Animation Development

Below is my initial idea for my Animated Self Animation in the form of notes I wrote up on the train, so apologies if it's a little hard to read...


If you couldn't understand my poor hand writing, I am basically setting out to animate a dream sequence. For this project I have been inspired by TV shows such as David Lynch's Twin Peaks and The Sopranos.


In particular, I love the dream sequences that happen in The Sopranos because to me, someone who is naturally fascinated about the concept of dreaming because to me, when you see dreams on TV or in films they are often very on-the-nose with what a character is feeling. For example if a character is scared about going to school because of a bully, then what a character dreams about is that bully chasing the character as a huge monster.


Real dreams are not like that, you often do not dream about what is most prominent on your mind, often you dream about things that are at the back of your mind or things you simply don't want to think about. Sopranos dream sequences are very good at conveying what a character is feeling without you actually being told, they serve a purpose so they are not always just a random occurrence of images.



But for me the struggle was figuring out which dream I wanted to animate and this was something I couldn't do. I've had plenty of dreams I feel would be fun to animate. Therefore I decided to put a few dreams I've had into a short 20 second sequence spending around 10 seconds on one dream and then just a few seconds on the others.

The idea was that one dream would be the central dream and then I would only take elements from other dreams I've had.

I can't see anyway to avoid this, this is the main dream I had in mind to animate.          
Basically I'm walking through the college and I pass the sound booth where Matt is simulating childbirth and Olly and James are gathered around him acting as midwives. I knock on the sound booth door, Oscar opens it and I ask 'do you still need me?' He then hands me a massive amount of paper and tells me 'go learn your lines'. I just thought it would be a fun dream to animate because it's slightly bizarre but is not too surreal.

Then what else will happen... I'll storyboard that...


Sunday 19 April 2015

The Disappearance of Haruhi Suzumiya

Right well I talked about the television series, to not mention the film would be doing the whole thing a disservice since many would argue the film is far superior and that the TV series exists as a precursor to the film. But I do not agree with this notion, even if I do understand where people are coming from with this opinion. To me, the series supports the film and the film supports the series. I don't believe one can survive without the other and you definitely should not watch the movie without seeing the film.



I've spoken before about how the tone of Haruhi is often like a yo-yo, one minute it's up, the next it's down, quiet, then loud. The movie is an entirely different tone to the TV show, it's incredibly melancholic. The music also entirely differentiates from the upbeat jazz of the show with downbeat classical. Not only that but the colour palette is very muted going for far duller colours that are featured in the show.



Basically none of this is taking anything away from the film, it is a visual masterpiece that far exceeds the quality of animation in the show. There are few shots in which the characters are in a static position but the look and visual style of the characters in the show does not change in the film. They all look the same apart from more physicality, particularly in the characters expressions.




Clocking in at around three hours in length it is the longest animated movie I have ever seen, further specifying that this is most definitely not a film for children. Due to the dark, sad tone of the film, I cannot say for the most part that watching this film was an enjoyable experience, but damn it packs one heck of an emotional punch. It's a film with many Sci-Fi elements and yet has a lot of heart, it teaches valuable lessons such as always check your friends are all right, sometimes it might not all be visible on the surface. Plus, be thankful for what you've got because the second its gone, the thing you complained about the most could be the thing you miss the most.

The Melancholy of Haruhi Suzumiya

So I could hardly call myself a big fan of Japanese anime before I watched this series and now after having finished it, I still do not really think I can call myself a big fan. In the months I have been at university I have become a lot more open minded about it. Basically I don't feel I personally can say 'I don't like anime' because I've come to realise that it is such a massive form of media, it would be like saying 'I don't like TV'. There is so much of it, and it is so diverse that there is really something for everyone. I now like to approach different types of media with the simple idea that it does not matter what format it is in, as long as it's got good characters and good story then I'll watch it.



The Melacholy of Haruhi Suzumiya is basically unlike anything I've ever seen before, let alone anime. It's centred around a high school student with the nickname Kyon (his true name is never mentioned). He meets a new girl in school called Haruhi Suzumiya who apart from the tendency to behave erratic and an apparent bipolar disorder is just a normal high school student. Or so it seems. Out of boredom she decides to create a club called the S.O.S Brigade of which she drags Kyon into, along with three other high school students. These three other high school students all appear to be typical anime stereotypes, the silent bookworm, the smug, mysterious transfer student and the ditsy, attractive student. But actually these people turn out to be extraordinary in different ways and then it is revealed that Haruhi, the most extraordinary of all, without realising it, is actually god and although without knowing it, anything she thinks of becomes reality.

The premise is bonkers yet I feel very, very clever and as the series goes on the series only becomes more and more complicated and more and more deep. The reason it is unlike anything I've ever seen is because the creators of this show have obviously dedicated a huge amount of time and attention to every minut detail and instead of following a predictable format that you think might occur in the very first episode it completely u-turns and takes you in a completely different direction. Firstly, the tone is like a yo-yo, one minute it's all happy, bright colours, upbeat jazz music with the characters playing baseball. The next, our hopelessly lively protagonist is discussing the insignificance of their existences or causing another character incredible distress.



The creators obviously pay huge attention to detail because it's not all just arty over-the-top shots, although it has to be said there are many arty, over-the-top shots. They all add to the tone, for example, there is a final scene in an episode that feels strangely unnerving, even though nothing disastrous or traumatic happens, it's all built up by the shots and background sound. The episode ends with a shot of a clock ticking but it's angled like the frames is resting on the second hand and we, the viewers, follow the clock round for a good twenty seconds, then it ends. Nothing jumps out, there is no creepy music in the background, it is simply the work of the animators incredible attention to detail.

Secondly, this show is unlike anything I've ever seen before because to me it seems to happily break all the rules of traditional storytelling. What I mean by this is that a typical episode of television to me has a beginning, middle and end, there's a conflict, it's resolved, a character learns their lesson, everything goes back to normal etc. Yet in Haruhi, there's an episode where a good 20 percent of the run time is taken up by a static shot of a central character reading a book alone in a room while outside we hear the voices of some sort of drama class rehearsing. It doesn't seem to have any connection to anything and I can see why it might have bored some people to death, but to me I was fascinated by it. It reminded me of a lesson I learnt from someone where they said when it comes to making a series, don't be afraid of the quiet. So much of real life is made up of the quiet, sitting in a room, staring, not everything has to matter. But we never see that on TV or in movies, we assume everything has to matter.



To me that wasn't even the biggest example of rule breaking. To me that came in series 2 that was released 7 years after the previous, when 8 episodes were essentially the exact same episode just slightly different each time, e.g. the clothes of the characters would be different, the dialogue might be slightly altered and the shots were different. But basically, it was exactly the same episode 8 times in a row. This angered fans and even though I found it fascinating as I'd never seen anything like it. They felt they were being cheated by having to wait seven years for the second series and then waiting a week for each episode to be shown exactly the same episode every week. But, going back to the incredible attention to detail thing I mentioned, this was all for a reason that was revealed later in the movie. But at the time fans didn't understand this, they simply felt like they were being conned or 'trolled'. But it has to be said, animation, particularly by Haruhi Suzumiya standards is incredibly expensive and time consuming. I highly doubt they created The Endless Eight just to infuriate fans of the series.



To conclude, it isn't perfect, but as a work of art Melancholy of Haruhi Suzumiya is an incredibly inventive, different and brave series that can be enjoyed, amazed, saddened, infuriated and baffled by anyone, not just anime fans.